gabriel go hard
"Laura Palmer, after all the talk, is not a very interesting or compelling character and long before the climax has become a tiresome teenager."
The film's review in Variety said that, "With The Devil in Miss Jones, the hard-core porno feature approaches an art form, one that critics may have a tough time ignoring in the future", and compared its plot to Jean Paul Sartre's play No Exit.[1] The review went on to say, "Damiano has expertly fashioned a bizarre melodrama", and described the opening scene as, "a sequence so effective it would stand out in any legit theatrical feature."[1] It finished by stating, "Booking a film of this technical quality into a standard sex house is tantamount to throwing it on the trash heap of most current hard-core fare."im trying to figure out how to download this on my moms work laptop without making it look 100% sus
Heteronormative, misogynist, and racist, but with some of the most beautiful heartbreaking prose and imagery. The protagonist is fairly unsympathetic, but his journey is very real. I have a lot of conflicting/negative feelings about a lot of things in this work but I really don't think I can give it anything less than a 4 [out of 5].even if im pretty significantly bummed there was so much gross shit that ruined its perfection i'm still really glad i read it.
In 1935, there was a conflict between Breton and Ilya Ehrenburg during the first "International Congress of Writers for the Defense of Culture" which opened in Paris in June. Breton had been insulted by Ehrenburg—along with all fellow surrealists—in a pamphlet which said, among other things, that surrealists were "pederasts". Breton slapped Ehrenburg several times on the street, which resulted in surrealists being expelled from the Congress. Crevel, who according to Salvador DalÃ, was "the only serious communist among surrealists" was isolated from Breton and other surrealists, who were unhappy with Crevel because of his homosexuality and annoyed with communists in general.and crevel's wiki bio
tbh i have very little interest in philosophy, in general. like, i guess this could be seen as stupidity but the thought of a bunch of white dudes ruminating on nothingness is about the least appealing use of my time i can think of (subject specific philosophy and theory being quite another matter). but this! maybe its my draw 2 drama but this is intriguing, this is something i'd like to know about. fuck breton, i want to know crevel. i dont have time for psuedo-anythings, crevel was the real communist and though lacking the audacity of breton in ""founding"" any movement he was an obvious mover and shaker who seems to have played an integral part to it. and though just like that it seems ive made up a whole mythology of a person in my mind, theres no denying that theres bound to be some truth in it.Crevel was born in Paris to a family of Parisian bourgeoisie. He had a traumatic religious upbringing. At the age of fourteen, during a difficult stage of his life, his father committed suicide by hanging himself. Crevel studied English at the University of Paris. He met André Breton and joined the surrealist movement in 1921, from which he would be excluded in October 1923 due to Crevel's homosexuality and Breton's belief that the movement had been corrupted.During this period, Crevel wrote novels such as Mon corps et moi ("My Body and Me"). In 1926, he was diagnosed with tuberculosis which made him start using morphine. The 1929 exile of Léon Trotsky persuaded him to rejoin the surrealists. Remaining faithful to André Breton, he struggled to bring communists and surrealists closer together. Much of Crevel's work deals with his inner turmoil at being bisexual.Crevel killed himself by turning on the gas on his kitchen stove the night of 18 June 1935, several weeks before his 35th birthday. There were at least two direct reasons: (1) There was a conflict between Breton and Ilya Ehrenburg during the first "International Congress of Writers for the Defense of Culture" which opened in Paris in June 1935. Breton, who like all fellow surrealists, had been insulted by Ehrenburg in a pamphlet which said – among other things – that surrealists were pederasts, slapped Ehrenburg several times on the street, which led to surrealists being expelled from the Congress. Crevel, who according to Salvador DalÃ, was "the only serious communist among surrealists" [1] (and was facing more and more solitude as the real face of Soviet socialism started to occur [2]), spent a whole day trying to persuade the other delegates to allow surrealists back, but he was not successful and left the Congress at 11pm, totally exhausted. (2) Crevel reportedly had learned that he suffered from renal tuberculosis right upon leaving the Congress (Claude Courtot, in [1]). He left a note which read "Please cremate my body. Loathing."It should be remembered that when André Breton included the question "Suicide: Is It a Solution?" in the first issue of La Révolution surréaliste in 1925, Crevel was one of those who answered"Yes". He wrote "It is most probably the most correct and most ultimate solution."
From the director of The Fluffer comes this witty erotic spoof of the Japanese Ringu movies starring Jason Adonis, Tag Eriksson and Josh Hammer. The film begins with two young men hearing the legend of a video tape that, when watched, will turn you gay in seven days. It turns out that some of the local boys have already seen the tape and have begun idolizing Judy Garland. They try watching straight porn to no avail; these boys have “gone gay”. It’s then that a journalist arrives to investigate the phenomenon and he watches the tape. Of course, the journalist turns gay as well! With loads of handsome, naked young guys, lots of wit and even a message buried amongst all these new gay converts, Wash West has crafted yet another great film. –TLA Releasing
